Sorry, I'm in application-hell right now, so this isn't really a post. Pretend you never read this.
Just submitted my application to the University of Minnesota as a nonfiction writer. Don't know why, but I'm optimistic about that one. Maybe just because my sanity relies on it at the moment.
So far, I've spent $220 on applications. October and November have been appallingly expensive.
Saturday, November 3, 2012
Saturday, October 27, 2012
Tribute: H.P. Lovecraft
To be fair, everyone did warn me not to attend Miskatonic University's program of Creative and Arcane Writing. As a young artist, you shouldn't expose yourself to an environment where the aesthetic could influence and overshadow your own voice.
But Miskatonic Univerisity? I applied on a whim -- it was a dream school -- and I was so surprised when they made me an offer that I felt like I couldn't say no. Maybe I should've taken it as an omen that the acceptance letter was handwritten on velum in church Latin. I had to ask a priest to translate it for me. As soon as he did, he told me to leave the church and never return. It was good, I suppose, that I didn't tell him I was baptized Lutheran.
Despite it's reputation, Arkham is actually a quite beautiful college town. Sort of like Iowa City, except more ominous. But, like Iowa City, enough people have written about it, so I'll skip over that part. There's nothing more banal than going on about the setting of a small college town.
My neighbor was the first clue that I had made a mistake. She was sitting on the wide, porch of a dilapidated Victorian house with pealing white paint. She was writing. On a Goddamn typewriter.
That wasn't the worst part. She wore Buddy Holly glasses a plaid skirt and was smoking Parliaments. She had a glass of wine next to her and ravens cawed from rickety fence.
I introduced myself and she took a moment to finish a line before looking up. Without smiling or saying her name, she asked if I was in the workshop. Yes, I said. She sneered a little. "You look like a writer," she said. I chose to ignore that one.
"What are you writing?" I asked her.
"An account of strange and terrible events following the disappearance of my roommate, a medical student at the University," she took a drag from her cigarette. "I'm haunted," she said, matter-of-factly.
"Oh," I said. Then I noticed a copy of Umberto Eco's Foucault's Pendulum sitting next to her, in Italian, I noted, and decided to leave.
The workshop was unique. The first person on deck was a young man from Washington State named Venable, and god help you if you called him "Ven." I tried. I really did. I read and reread it half a dozen times, taking careful notes, and spent several hours putting together a letter that I hoped would be helpful to the author. The best I could tell, it was a surrealist allegorical story written like a dense biology paper about the physiology of some ancestor of the modern crocodile and somehow from the point of view of a virus that was slowly killing it.
The other workshoppers fared no better. Interpretations were across the board, ranging from bipartisan politics to dramas of the midwestern, suburban, nuclear family. I didn't see any of that, but I've been accused of being too literal in my analysis.
All throughout the discussion in our cramped, smoke-filled, stuffy room, Venable just smirked and chain smoked sweet-smelling hand-rolled cigarettes. He didn't take a single note. When it was finished, he shook his head and said, "None of you got it," then walked out of the room without another word. Our revered, ancient, and incomprehensible professor, who slept through the discussion, watched Venable leave, then nodded and told us to "meditate on this."
In a desperate gambit to connect, I invited the workshop out for drinks. Half of them decided to join me. The others muttered something about "teetotaler" and "degeneracy" before walking out after Venable and the professor. We went down the street to a dive bar that looked promising and found the place empty save the bartender who looked a little like Peter Lorre.
Apparently, the others didn't quite grasp that "going out for drinks" was code for "socializing" because as soon as everyone had ordered they scattered to the corners to glare into their glasses. Only one guy, Reginald, decided to sit with me.
"So," I said, going for the only sure common ground we would have, "what do you write?"
Reginald was dressed in a grey suit. He smoked a pipe and wore enormous black glasses. Actually, everyone seemed to be wearing the same Woody Allen glasses. "I'm writing out the entirety of the New York Times from March 21st to the 28th, 2012. It should take me the full two years of the program."
"So, getting to work on the thesis early then, eh?" I said. He didn't laugh. "Why that week?"
"Because it's when I started."
"Um... why are you writing out the entirety of that one issue of the New York Times?"
"Because, there are no new stories. The only true innovation is regurgitation. Creativity is pretense. My goal is to completely purge myself of creativity by the time I'm done here." He held up his brandy, drank, and then left without saying goodbye.
I thought I was going to transfer until I realized that I now have a goldmine of material. But the storms, which grow every day in frequency and intensity, and the robed and chanting mobs are starting to unnerve me. They talk about the end times and the Deep Ones waking from their dead slumbers. I fear that there is not much time. But, then, I've always worked best with a deadline.
But Miskatonic Univerisity? I applied on a whim -- it was a dream school -- and I was so surprised when they made me an offer that I felt like I couldn't say no. Maybe I should've taken it as an omen that the acceptance letter was handwritten on velum in church Latin. I had to ask a priest to translate it for me. As soon as he did, he told me to leave the church and never return. It was good, I suppose, that I didn't tell him I was baptized Lutheran.
Despite it's reputation, Arkham is actually a quite beautiful college town. Sort of like Iowa City, except more ominous. But, like Iowa City, enough people have written about it, so I'll skip over that part. There's nothing more banal than going on about the setting of a small college town.
My neighbor was the first clue that I had made a mistake. She was sitting on the wide, porch of a dilapidated Victorian house with pealing white paint. She was writing. On a Goddamn typewriter.
That wasn't the worst part. She wore Buddy Holly glasses a plaid skirt and was smoking Parliaments. She had a glass of wine next to her and ravens cawed from rickety fence.
I introduced myself and she took a moment to finish a line before looking up. Without smiling or saying her name, she asked if I was in the workshop. Yes, I said. She sneered a little. "You look like a writer," she said. I chose to ignore that one.
"What are you writing?" I asked her.
"An account of strange and terrible events following the disappearance of my roommate, a medical student at the University," she took a drag from her cigarette. "I'm haunted," she said, matter-of-factly.
"Oh," I said. Then I noticed a copy of Umberto Eco's Foucault's Pendulum sitting next to her, in Italian, I noted, and decided to leave.
The workshop was unique. The first person on deck was a young man from Washington State named Venable, and god help you if you called him "Ven." I tried. I really did. I read and reread it half a dozen times, taking careful notes, and spent several hours putting together a letter that I hoped would be helpful to the author. The best I could tell, it was a surrealist allegorical story written like a dense biology paper about the physiology of some ancestor of the modern crocodile and somehow from the point of view of a virus that was slowly killing it.
The other workshoppers fared no better. Interpretations were across the board, ranging from bipartisan politics to dramas of the midwestern, suburban, nuclear family. I didn't see any of that, but I've been accused of being too literal in my analysis.
All throughout the discussion in our cramped, smoke-filled, stuffy room, Venable just smirked and chain smoked sweet-smelling hand-rolled cigarettes. He didn't take a single note. When it was finished, he shook his head and said, "None of you got it," then walked out of the room without another word. Our revered, ancient, and incomprehensible professor, who slept through the discussion, watched Venable leave, then nodded and told us to "meditate on this."
In a desperate gambit to connect, I invited the workshop out for drinks. Half of them decided to join me. The others muttered something about "teetotaler" and "degeneracy" before walking out after Venable and the professor. We went down the street to a dive bar that looked promising and found the place empty save the bartender who looked a little like Peter Lorre.
Apparently, the others didn't quite grasp that "going out for drinks" was code for "socializing" because as soon as everyone had ordered they scattered to the corners to glare into their glasses. Only one guy, Reginald, decided to sit with me.
"So," I said, going for the only sure common ground we would have, "what do you write?"
Reginald was dressed in a grey suit. He smoked a pipe and wore enormous black glasses. Actually, everyone seemed to be wearing the same Woody Allen glasses. "I'm writing out the entirety of the New York Times from March 21st to the 28th, 2012. It should take me the full two years of the program."
"So, getting to work on the thesis early then, eh?" I said. He didn't laugh. "Why that week?"
"Because it's when I started."
"Um... why are you writing out the entirety of that one issue of the New York Times?"
"Because, there are no new stories. The only true innovation is regurgitation. Creativity is pretense. My goal is to completely purge myself of creativity by the time I'm done here." He held up his brandy, drank, and then left without saying goodbye.
I thought I was going to transfer until I realized that I now have a goldmine of material. But the storms, which grow every day in frequency and intensity, and the robed and chanting mobs are starting to unnerve me. They talk about the end times and the Deep Ones waking from their dead slumbers. I fear that there is not much time. But, then, I've always worked best with a deadline.
Sunday, October 21, 2012
The Master Plan
For the past few weeks, I've fallen into a pattern. I get home from work and revise my application essays or stories. I'm making great progress and discovering that some of my older stories aren't bad. But I haven't been producing much new material.
I'm starting to realize why people go to grad school for time. My life has gotten boring. Bad for an essayist.
And I have no aspirations for adventures. As soon as these applications are done, I'm getting a PS3 and playing Fallout or Infamous for days.
Saturday, October 13, 2012
Journal
I'm forgetful. It baffles me how easily dates, tasks, birthdays, names, jobs, letters, things slip through my mind. As far as I can remember, I've always been this way. My forgetfulness was a perpetual headache to my mom when I was little. I lost more gloves, hates, coats, notebooks, toys, books than I care to remember.
In Never Let Me Go the main character and her friends decide that Norfolk is the place where all lost things end up. I vaguely recall writing this before, but I've always wanted to go to Norfolk to see if it's true. If it is, I have a lot of unclaimed property. Probably a lot more than I think.
I wanted to visit Norfolk when I was in Germany. Near the time I came back to the States, I went to London and then to Edinburgh with a friend, E. It turns out that Norfolk is not on the way between those two cities.
I think, but cannot recall exactly, that shortly before I flew to London I found out that a friend of mine, L, died in a car accident. I spent the whole night talking with Jei over Skype, talking, trying to make sense of it, repeating, "I can't believe it," and "Do you remember...?" over and over again. And, of course, I didn't remember much and I remember less now. The day after L died, I read in the Gazette, "A 23 year-old Iowa woman died in a car crash." Woman, I thought? L was a kid. We are all kids. It offended me because "woman" didn't seem to capture the tragedy of it or how we all felt.
For several years, I've kept a journal. I kept one off and on during high school. The problem is, I never seem to write about what I care most about years later. Somehow, I missed the point. Looking back now, I wish that I'd written more about L, or S, or all the other friends and loved ones that are gone. I wish I'd paid more attention or had better foresight.
It's the little things that don't seem particularly important at the time that matter. Now I'm sitting here in my cramped apartment den (A's name for it), tapping away at a keyboard a listening to a playlist I call "Tropical Storm Lee," specifically to a song that I've never known what it's called -- it was an "unknown track" until I decided to name it "Never Let Me Go." It's a gloomy day, but that's okay because that's the way I like it. There's a book of Lovecraft on the table on my right, and my Pessimist's Mug on my left. I can still smell the curry from last night. Tonight I'll go out to celebrate a friend's birthday.
In Never Let Me Go the main character and her friends decide that Norfolk is the place where all lost things end up. I vaguely recall writing this before, but I've always wanted to go to Norfolk to see if it's true. If it is, I have a lot of unclaimed property. Probably a lot more than I think.
I wanted to visit Norfolk when I was in Germany. Near the time I came back to the States, I went to London and then to Edinburgh with a friend, E. It turns out that Norfolk is not on the way between those two cities.
I think, but cannot recall exactly, that shortly before I flew to London I found out that a friend of mine, L, died in a car accident. I spent the whole night talking with Jei over Skype, talking, trying to make sense of it, repeating, "I can't believe it," and "Do you remember...?" over and over again. And, of course, I didn't remember much and I remember less now. The day after L died, I read in the Gazette, "A 23 year-old Iowa woman died in a car crash." Woman, I thought? L was a kid. We are all kids. It offended me because "woman" didn't seem to capture the tragedy of it or how we all felt.
For several years, I've kept a journal. I kept one off and on during high school. The problem is, I never seem to write about what I care most about years later. Somehow, I missed the point. Looking back now, I wish that I'd written more about L, or S, or all the other friends and loved ones that are gone. I wish I'd paid more attention or had better foresight.
It's the little things that don't seem particularly important at the time that matter. Now I'm sitting here in my cramped apartment den (A's name for it), tapping away at a keyboard a listening to a playlist I call "Tropical Storm Lee," specifically to a song that I've never known what it's called -- it was an "unknown track" until I decided to name it "Never Let Me Go." It's a gloomy day, but that's okay because that's the way I like it. There's a book of Lovecraft on the table on my right, and my Pessimist's Mug on my left. I can still smell the curry from last night. Tonight I'll go out to celebrate a friend's birthday.
Sunday, October 7, 2012
Contemplative
This is a post-ish. Not really. It's been a long several weeks and I'm feeling thoughtful. None of this is worth sharing. Will get back to you with regularly scheduled scribblings next weekend.
Saturday, September 29, 2012
Ren Fest
After the Robin Hood comedy sketch at the Minnesota Renaissance Festival, I saw the lead actor chewing carrots and hummus in a pottery shop across from the stage. I was still crying from laughter. The audience was still shelling out tips into leather caps. The proprietor, said, "Where's my old Rudy? You're not like this." The actor shook his head, "I can't keep doing this man. I'm too tired." "Where's my old Rudy?"
That was eight years ago. Two weeks ago, I went to the Ren Fair with A and D. The actor was still performing, still making the audience laugh. It's incredible what we all endure.
#
"Where You End and the World Begins" is now available on Daily Science Fiction.
#
Today, A and I are going to visit every St. Paul book store in a few mile radius around our apartment. This could take all day. And if it does it will be a day well spent.
#
During the month of October I've resolved to get my portfolio together and read nothing but Lovecraft and other horror. I need my fix, and what better month to do it?
That was eight years ago. Two weeks ago, I went to the Ren Fair with A and D. The actor was still performing, still making the audience laugh. It's incredible what we all endure.
#
"Where You End and the World Begins" is now available on Daily Science Fiction.
#
Today, A and I are going to visit every St. Paul book store in a few mile radius around our apartment. This could take all day. And if it does it will be a day well spent.
#
During the month of October I've resolved to get my portfolio together and read nothing but Lovecraft and other horror. I need my fix, and what better month to do it?
Saturday, September 22, 2012
Vauban
It was an unusually cold and rainy day in June when I sat with N and M and their friend, R, on the balcony talking about opera. R was talking about opera, actually, and we were listening. Three floors up, exposed to the unpleasant wind, and smoking.
"I really shouldn't be doing this," R said, waving her cigarette. "It's awful for your throat and I want to be a singer. But it's been a bad day and I deserve that."
She went on. "I've wanted to be an opera singer since I was little. I know it's weird that an eighteen-year old would want to be an opera singer, but it's my dream. Two years ago my parents, got me tickets to see X in Rome and I got to see her after the show. She sang for the people in the lobby and I knew that's what I wanted to do -- fill people with my voice down to their bones and make them shiver."
R was short and dressed all in black. Her hair and fingernails were black, too. She looked like she'd fit in better at a goth club than an opera house, but there she was, telling everyone who would listen all about her dream to cut all of us through the flesh and marrow with her voice.
Later, we went to Cafe Europa only a few blocks away. Their basement looks like an old bomb shelter and may have been during the war. Now it is a cozy cellar of mortar and stone. M and N spoke in German and I tried to keep up. Every time I said something, M covered her mouth, eyes wide and said, "Awe..."
Later, C arrived with a cohort of writers. It was a group of freshman exchange students from some New York college doing a two week writing program. C was their guide. We agreed to meet them for drinks.
Most of them ordered beer. The one teetotaler had water and we talked about this at great length. I had absinthe. It's a fun drink because it requires fire. When it works, you feel like the most interesting person in the room, especially if you light your cigarette off the flaming sugar.
After a few rounds, we talked about the Presidency.
"Worst job in the world," someone said.
"Who would want to be President?" someone else added.
"It takes years off your life."
"But what about the fact that you're the most powerful person in the world for a bit? Isn't that worth something?"
"But you'd have no privacy, ever. You're the most powerful person in the world and the Secret Service can't leave you alone for a minute. I mean, what if you just wanted to masturbate? You'd have to, knowing that one of the people responsible for your life knew what you were doing..."
Everyone agreed that this would be problematic.
Someone mentioned that there was a dance floor at Vauban and a decision was somehow made. We were there, at the tiny dorm dance floor, shortly after. Most of us were tossed by then -- C in particular. M, N, and I watched as he danced with one of the boys in the New York group, one we all knew was straight, closing the distance gradually every few steps.
N said, without looking away from the scene, "Sam, do you know the German word, 'Mitschuld?'"
"No."
"It means 'sympathetic guilt' or 'embarrassment.'"
"That's very German."
"It is."
We spoke with the teetotaler. He explained, "I believe in the purity of the body and it's against my faith."
"And you came to Germany?"
"Just for two weeks."
#
Note: My short story, "Where You End and the World Begins," was just published with Daily Science Fiction. I've been pleasantly surprised by the positive reviews on Facebook. Will post a link when DSF publishes the story for non-subscribers on their website.
"I really shouldn't be doing this," R said, waving her cigarette. "It's awful for your throat and I want to be a singer. But it's been a bad day and I deserve that."
She went on. "I've wanted to be an opera singer since I was little. I know it's weird that an eighteen-year old would want to be an opera singer, but it's my dream. Two years ago my parents, got me tickets to see X in Rome and I got to see her after the show. She sang for the people in the lobby and I knew that's what I wanted to do -- fill people with my voice down to their bones and make them shiver."
R was short and dressed all in black. Her hair and fingernails were black, too. She looked like she'd fit in better at a goth club than an opera house, but there she was, telling everyone who would listen all about her dream to cut all of us through the flesh and marrow with her voice.
Later, we went to Cafe Europa only a few blocks away. Their basement looks like an old bomb shelter and may have been during the war. Now it is a cozy cellar of mortar and stone. M and N spoke in German and I tried to keep up. Every time I said something, M covered her mouth, eyes wide and said, "Awe..."
Later, C arrived with a cohort of writers. It was a group of freshman exchange students from some New York college doing a two week writing program. C was their guide. We agreed to meet them for drinks.
Most of them ordered beer. The one teetotaler had water and we talked about this at great length. I had absinthe. It's a fun drink because it requires fire. When it works, you feel like the most interesting person in the room, especially if you light your cigarette off the flaming sugar.
After a few rounds, we talked about the Presidency.
"Worst job in the world," someone said.
"Who would want to be President?" someone else added.
"It takes years off your life."
"But what about the fact that you're the most powerful person in the world for a bit? Isn't that worth something?"
"But you'd have no privacy, ever. You're the most powerful person in the world and the Secret Service can't leave you alone for a minute. I mean, what if you just wanted to masturbate? You'd have to, knowing that one of the people responsible for your life knew what you were doing..."
Everyone agreed that this would be problematic.
Someone mentioned that there was a dance floor at Vauban and a decision was somehow made. We were there, at the tiny dorm dance floor, shortly after. Most of us were tossed by then -- C in particular. M, N, and I watched as he danced with one of the boys in the New York group, one we all knew was straight, closing the distance gradually every few steps.
N said, without looking away from the scene, "Sam, do you know the German word, 'Mitschuld?'"
"No."
"It means 'sympathetic guilt' or 'embarrassment.'"
"That's very German."
"It is."
We spoke with the teetotaler. He explained, "I believe in the purity of the body and it's against my faith."
"And you came to Germany?"
"Just for two weeks."
#
Note: My short story, "Where You End and the World Begins," was just published with Daily Science Fiction. I've been pleasantly surprised by the positive reviews on Facebook. Will post a link when DSF publishes the story for non-subscribers on their website.
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